Home
Blog
Free Music
Free Lessons
Videos
Beginner Lessons
Your Questions
Favorite Guitarists?
Mini Lessons
Books & DVD's
Metronome
Guitar Store
Greatest Music
Home Recording
Guitar Magazine
Guitar Posters
Learn Fretboard
Guitar Tablature
Guitar Stringing
Guitar Tuning
Shaping Nails
Music Notation
Guitar History
Guitar Time Line
Best Sheet Music
Notation Software
Music Stand?
Guitar Auction
Links
Contact Me
About
Link Exchange
Donate
Site Map
Site Search
How I Built This Site

Get Free Music
&
Great Guitar Tips
Just Enter your E-mail Address


Enter Your First Name (Optional)

Then

Don't worry -- your e-mail address is totally secure.
I promise to use it only to send you Great Guitar Tips.

XML RSS
What is this?
Add to My Yahoo!
Add to My MSN
Add to Google

Sor Waltz

Classical Guitar Gem

"Sor Waltz - Full of grace, charm and
highly charged emotion..."

Fernando Sor certainly knew how to write an appealing waltz. With this one in G major he really hit the mark!

There are many difficult little passages in this piece and care needs to taken to perform it correctly. One thing to keep uppermost in your mind is to stay relaxed. You need to do this because you are constantly shifting positions up and down the guitar neck and the passage in thirds need to be played particularly legato, or smooth as possible.

Coupled with this is the need to maintain enough speed to give the piece the required emotion, even passion. There are certain bars namely: 17-24, where you can play a slight staccato to balance the legato passages. Additionally, you can apply some rubato slowing down in bars 5 & 6, then speeding up again in the passages of thirds to "correct" the time imbalance.

The effect of this rubato makes the piece more dramatic, fuller of emotion and hence more interesting.

The initial G chords at the beginning of the piece also establish some dramatic tension and you need to play them with a slight sense of seriousness. My suggestion is not to roll the chords but play them as a "block chord" with right hand fingers p, i & a.

The slurs (hammer-on’s) in bars 4 & 12 are played with two fingers at once. Firstly you use open strings then 1 & 2, and then when fingers 1 & 2 are planted you slur using fingers 3 & 4. You'll notice in the video my 3 & 4 fingers slur almost like I'm using one finger. That is, they perform the slur simultaneously. It can be a difficult technique for beginners so you need to play these bars in the Sor waltz in isolation and VERY slowly. With practice this technique becomes second nature.

Here is a video of the Sor waltz...




Spain
Spain

Art Print
19.75 in. x 27.5 in.
Buy at AllPosters.com
Framed   Mounted



A lot of people neglect these techniques and often neglect to use their "weaker" fingers. I always look for opportunities to advance my technique and make my weaker fingers stronger such as the 4th finger of the left hand. It's a wise idea and one that will pay off for you in the future as you will be able to play your music with more technical facility and thus with more flair and panache!

Download your free PDF copy of the music here...

Sor Waltz




To get more excellent music like the Sor waltz click here...


Still Haven't Found What You're Looking For?

Simply enter whatever term you're searching for e.g. if you're searching for all pages that mention the word "segovia" just type in that term and away you go!

You can even search the Web. Just enter "classical guitar" followed by your search word(s). I hope you find me again!

Ready? 1-2-3... Search!

Google
Web www.learnclassicalguitar.com

|Site Map|Site Search|Free Guitar Lessons|Contact|



Click & Add:
add to BlinkBlink
add to Del.icio.usDel.icio.us
add to DiggDigg
add to FurlFurl
add to GoogleGoogle
add to SimpySimpy
add to SpurlSpurl
Bookmark at TechnoratiTechnorati
add to YahooY! MyWeb


footer for sor waltz page