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AndanteThis Andante by Fernando Sor (Opus 35 No.4) is excellent practice for playing legato scale passages and sustained notes of an arpeggio. Fernando Sor was in no small way responsible for the resurgence of the guitar in the 18th century, helping it to eclipse the harp as the pre-eminent salon instrument of the day. Born in Barcelona in 1778, Fernando Sor was by definition a classical composer, though he was heavily "coloured" by Romanticism. He was a talented composer who wrote operas, ballets, symphonies, string quartets, songs for voice and guitar accompaniment and more. The difficulty, though not great, in this piece is to manage playing the scale sections very legato (smooth and connected) whilst at the same time holding some notes in the arpeggio chords. An example of this is in bars 1 and 2 where you see the ties between the bass "G" and "B" notes. The melody all the while is moving on with some momentum and drive (see video below) even though it's at the "walking pace" of an Andante. Other points to consider with this piece, which consolidate prior lessons, include the "extension" of the left hand as in the Greensleeves piece. Namely, the 5th and 13th bars where you have to hold down the "C" note on the second string for two beats (Half Note/Minum) whilst playing the "F#" note on the 4th string. Another area of difficulty is bar 15 where it is prudent to use fingers 3 and 4 of the left hand on the "F#" on the 4th string and the "D" on the 5th string. Also be careful in bar 32 where you "glide" up to the 3rd position (3rd Fret) so that you may play the "D" on the 5th string with your 3rd finger, the "F#" on the 4th string with your 2nd finger and the "D" on the 2nd string with your 1st finger (D chord). A re-iteration of the Kuffner
Namely:
I hope these Andante study notes have been helpful.
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